Del Rey is too scared to devote her time to experimentation, only offering hints of what could have been-trap beats, powerhouse vocals, new instrumentation, and a new sound for her. Instead, including these hints at breaking away from her established sound just feels like she’s wasting time.īlue Banisters is an album caught between missed opportunities and some truly incredible songwriting. It’s as if Del Rey thinks her voice won’t work with the more untraditionally “Lana” aspects of the album. There’s also the one-minute “Interlude – The Trio,” which implements a completely out of place trap beat and no vocals.
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This section has so much potential to be the backbone for a radically different song for her, but it’s tucked away at the end of a track instead. For instance, “Living Legend” features Del Rey belting a wailing outro that sounds so radically different from everything else. Throughout the album, she recedes into her comfort zone with quiet piano tracks littering the album which, unfortunately, trap her rather than challenge her already established style.Įverytime Del Rey hints at wanting to go in a new direction, she does it after the main song has already neared its end. The one aspect lagging behind is Del Rey’s instrumentation. Although screaming vocals don’t really fit within Del Rey’s signature style, she dips into this section and it disappears just as fast as it shows up. Lana Del Rey Has Released a new ALBUM Titled Violet Bent Backwards Over The Grass is a seductive confection engineered to cause an Internet stircontainingstuttering cymbals, a couple bass drum kicks and elliptical set of beats lyrics to take the spotlight which he delivers with melodic bars For Fans. Notably, “Dealer” has a moment where Del Rey forgoes her soft falsetto and instead devolves into a scream-but just for a moment. In the past, Del Rey has had moments where her vocal delivery is muddled and difficult to understand, like during parts of “Venice Bitch” on her 2019 album Norman F-king Rockwell!, but her vocals shine through with clarity and vocal precision throughout Blue Banisters. Her soft voice really fits her muted music style.
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The line “Comfortably numb, but with lithium came poetry” on “Wildflower Wildfire” is a powerful reference to her inspirations and how she channels her pain into art.ĭel Rey’s voice is as beautiful as ever for the most part. Connections like this make the album a really engaging listen. The songs are woven together through color, telling a larger story of sadness overshadowing these relationships. Del Rey, who abandons the blue flowers on “Violets for Roses”-a metaphor for changing oneself in a relationship-hurts all the more knowing that this change was for nothing, as her plans to paint her banisters blue on Blue Banisters disappear once the relationship has ended. At times she creates powerful impacts through her lyrics, which subtly weave together many of her songs on this album. Watercolor Eyes drops tomorrow (January 21).While March’s Chemtrails over the Country Club brought a new folksy sound to Lana Del Rey’s music, on Blue Banisters her music appears to be a return to reflective alternative pop, for better or worse.ĭel Rey’s lyrics on Blue Banisters dash between heartbreaking power and tone-deaf missed opportunities. As previously announced, she's contributed a new song to the soundtrack of teen drama Euphoria. New music from Lana is on the horizon and coming very soon.
#Top new lana del rey songs from new album full
View Lana's Official Charts history in full here. The project was started with Mini Mansions’ Zach Dawes and Tyler Parkford, as well as Loren Humphrey – all three of whom are members of The Last Shadow Puppets alumni.Ĭalifornia - a track from her critically acclaimed 2019 opus Normal F**king Rockwell! - was also created during these sessions.
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Lana has hinted at the existence of a full album with Kane before. “Probably enough for an album, we’d still need to finish some bits off, but there’s definitely some completed tunes.” MORE: Miles Kane’s Official Chart history Speaking to Far Out magazine, Miles admitted that a lot of material for the scrapped record hasn't been used. Several scraps from the sessions have been released - Miles included Loaded on his 2018 album Coup De Grace, while Lana's most recent album Blue Banisters contained Dealer and Thunder. Miles releases his new album Change The Show this Friday (January 21) but this material dates back to at least 2017, where he and Lana cut several demos for a proposed collaboration between Lana and The Last Shadow Puppets, Miles' supergroup with Alex Turner of the Arctic Monkeys. Miles Kane has revealed that he and Lana Del Rey have recorded an album’s worth of material that has yet to see the light of day.